The trio of Michel Wintsch (Geneva, Switzerland), Baenz Oester (Berne, Switzerland) and Gerry Hemingway (New Jersey, US) began touring and recording together in 1998. Earliar, Wintsch and Hemingway first worked together in 1995 when they recorded together with cellist Martin Shuetz for Unit Records.

Chris Parker of BBC music writes "...the compositions are wholly absorbing, rousingly unpredictable, cleverly structured pieces that elicit performances of extraordinary subtlety and delicacy yet scrupiously controlled power" and Andy Hamilton of Jazz Review observes that "The result is always intriguing and often compelling, displaying a clear compositional intelligence...".

As the trio has developed it's sound and conception, a compelling evolution has developed from the diverse compositional sensibilities of all three members. What has grown from those sensibilities is an openness, a willingness to listen and dig deeply into the uncharted terrain of open improvisation. The WHO trio are now clearly three musicians whose refined listening yields an uncommon musical sensitivity, an unspoken agreement that the collective creation is priority over individual contributions, and an honesty and immediacy that engage every audience in every context.

In the course of their touring together as a trio and occassionally with larger ensemble settings, they have developed what in music is often enigmatic, a sound as a group. This sound has many characteristics, among them, a transparency that allows the more delicate and subtle details to be perceivable to every listener. They have also achieved a more elastic sensibility with rhythm that lends a fluency, tension and excitement to their powerful rhythmic interaction.

Each time they have convened for another project or tour a new quality has developed in the trio's expressive repertoire. In one instance Michel introduced a number of classic French "chansons" into the program and with this developed a deeper elemental resonance to their music as a whole. On another occasion, some of which is documented on "Sharing the Thirst", the trio deepened it's feeling for powerful grooves of every conceivable kind. It is not ununsual to hear this conventional jazz instrumentation rock like Massive Attack, cook like Fela, swing like Count Basie, and bump & grind like Buddy Guy.

All three players are very physical with their instruments and although the recordings are a good indication of what to expect, there is much more to look foward to when experiencing this trio in concert. Words though belie the sheer enjoyment this trio have brought and continue to bring to audiences worldwide.